pravijn

pravijn is a pseudonymous collector of digital art who appears online under that one chosen handle. On Farcaster the account pravijn.eth writes a profile bio that names the deca, xcopy and rcs channels and links x.com/pravijn and deca.art/pravijn.¹ An identity profile lists pravijn as a pseudonym, with the wallet named 0xpravijn.eth as its primary address and a second wallet joined to it through a signed consolidation.² The profile published a statement on 11 February 2024 linking deca.art/pravijn and warpcast.com/pravijn.³ This profile follows that choice. It draws only on what the collector has published about collecting, and on the public record of the wallets the collector has named.

The most telling record is the one pravijn wrote into the Ethereum Name Service. The name 0xpravijn.eth resolves to the collector's primary wallet and carries a text record for X that reads pravijn, which ties the X handle to the wallet in the collector's own hand.⁴ Its website field does not point to a homepage at all. It holds a token reference to KnownOrigin token #22062, a copy of XCOPY's The Doomed, so that the name's one outward link is a single XCOPY edition.⁴ Few gestures of collecting are as compact. Where another collector might put a portfolio or a personal site, pravijn put a skull.

That choice matters because pravijn's public collecting life is organised through display. The collector's Deca profile, active since February 2022, is a dense archive of galleries arranged by theme and by month, with titles such as ArtBlocks, NotArtBlocks, monochrome, landscapes, glitchmob and skulls.⁵ Among them is a gallery simply called xcopy, which brings together The Doomed, a MAX PAIN open edition, a Decal by XCOPY and several tokens from Right Click Share, the experiment XCOPY made with Deca.⁶ The gallery is the nearest thing in the public record to a statement of how pravijn sees XCOPY: not as a single trophy but as a thread running through the platforms where crypto art is shown and shared.

The Doomed arrived first. On 13 March 2022 KnownOrigin token #22062, copy #62 of XCOPY's The Doomed, was transferred into 0xpravijn.eth.⁷ XCOPY's archive dates The Doomed to October 2018 and lists it among the artist's KnownOrigin works, a release whose page carries the words "No rights reserved."⁸ pravijn hung it twice on Deca: in the xcopy gallery and in a smaller gallery called manifestxcopy, where it sits beside works titled *Darkis 07* and *Gradito*.⁹ The token stayed in the primary wallet until 26 September 2026, when it was moved to another address.¹⁰ The ENS url record of 0xpravijn.eth still points to KnownOrigin token #22062.⁴

A fortnight after The Doomed, a second XCOPY work followed. On 27 March 2022 the wallet received MAX PAIN #3981, a token from the MAX PAIN AND FRENS open edition by XCOPY issued through Nifty Gateway.¹¹ The metadata description reads MAX PAIN by XCOPY, the name reads MAX PAIN #3981, and the external url points to niftygateway.com/collections/xcopy-oe.¹² XCOPY's archive records MAX PAIN as a 2022 work released within MAX PAIN AND FRENS.¹³ Where The Doomed belongs to the KnownOrigin years of crypto art, MAX PAIN belongs to the market of 2022, and the pairing in a single wallet within a fortnight shows a collector reaching back and looking forward at once. pravijn later placed the open edition token in the Deca xcopy gallery as well.⁶

The Deca connection runs deeper than display. Right Click Share token 995 was minted to 0x58c5b881fb2794d04f0dc0ec65f94a119cd43aa0 on 26 October 2022.¹⁴ Right Click Share #251 is described as an art experiment by XCOPY and Deca and was held by 0xpravijn.eth on 16 October 2026.¹⁵ The Farcaster bio names the rcs channel with the deca and xcopy channels.¹ The same wallet holds Decal by XCOPY #32 from X MARKS THE SPOT, which the metadata describes as an interpretation of the Decal by XCOPY and a symbol of permissionless creativity.¹⁶ That token reached 0xpravijn.eth on 21 March 2025.¹⁷ pravijn shows it in a gallery called decals, among Decal interpretations by Darkfarms, Grant Yun, Kjetil Golid, Reuben Wu, Rebecca Rose and others, which places XCOPY's version inside a wider conversation between artists about a shared symbol.¹⁸

Permissionless creativity is also the idea behind XCOPY's own rights policy. XCOPY's Creative Commons page states that XCOPY works are licensed under CC0, free to use, remix and build upon.¹⁹ The galleries show what that openness produced. The primary wallet holds *GRIFTNANT 05*, a work by HANDIEDAN whose metadata labels it a CC0 derivative of XCOPY's Grifters and Remnants.²⁰ On Deca the gallery CC0 shows Trippy GAN Toadz, rektguy and xmfer tokens.²¹ For a collector whose public identity is a handle, a wallet name and a set of galleries, CC0 is a natural fit: the work circulates freely, and what the collector adds is the choice of what to keep and how to show it.

Taken together, the record describes a collector who joined the XCOPY story in early 2022 and stayed with it across platforms. The Doomed came through KnownOrigin, MAX PAIN through Nifty Gateway, the Decal and Right Click Share through Deca, and the CC0 derivatives through the wider community that took XCOPY at the artist's word.^7111620 The galleries, the Farcaster line and the skull written into an ENS record are the collector's own public account of that choice.⁶¹⁴