XCOPY / KO

0x8124…ff9c

0x8124…ff9c profile picture
Identity
Pseudonym
Links
Wallets
KnownOrigin
2 copies across 2 works, held July 2020 – March 2021

Collin Dyer’s own published biography describes him as an art collector and former lawyer and biochemist, with interests in blockchain, artificial intelligence, sensors, patents, big data and the Internet of Things.1 In a 2022 essay, he wrote that he had created fractionalized NFTs later redeemed through Niftex and Fractional.art, using that experience to discuss redemption mechanisms for shared ownership.1 A 2021 history of the early Trash Art movement also names @CollinsCustomIP among artists who helped build that community during its disputes over platform gatekeeping and artistic legitimacy.2

Collecting record

DateWorkCopyEventETHTransaction
Disintegration16/50Received·0x98ab…056e
Disintegration16/50Transferred out·0x0230…7ace
RESIST3/25Received·0x22fa…d041
RESIST3/25Transferred out·0xc812…dd09

References

Press and criticism

  1. Cited for this account: Collin Dyer’s own published biography describes him as an art collector and former lawyer and biochemist, with interests in blockchain, artificial intelligence, sensors, patents, big data and the Internet of Things.

    Collin Dyer, “Ruggable-Fractions: a new way to co-own NFTs.,” Medium, 28 March 2022, collindyer.medium.com/ruggable-fractions-a-new-way-to-co-own-nfts-7d6bf4ef04b5 (accessed 7 October 2026). ↩︎

Historical and critical context

  1. Cited for this account: A 2021 history of the early Trash Art movement also names @CollinsCustomIP among artists who helped build that community during its disputes over platform gatekeeping and artistic legitimacy.

    Aleksandra Artamonovskaja, “What exactly is Trash Art? The Beginnings of a Crypto Art Movement,” NFTS.WTF, 12 May 2021, nfts.wtf/what-exactly-is-trash-art (accessed 7 October 2026). ↩︎