Greg Notzelman
- Identity
- Pseudonym
- Links
- Wallets
- KnownOrigin
- 2 copies across 2 works, held December 2019 – March 2021
In his published artist statement, Greg Notzelman says he studied painting and printmaking at California College of Arts before working in photographic retouching, advertising, computer animation, and rendering.1 He dates his first film role to 1997, creating the green self-healing wound effect for “Spawn,” and describes a subsequent two-decade visual-effects career involving Weta Digital, ILM, DNEG, and Digital Domain.1 His credited projects include “Avatar,” “The Hobbit,” “Tintin,” “Iron Man 3,” and the Weta-produced “Planet of the Apes” films.1 Visual Effects Society records also list him among the nominees for the “Iron Man 3: Shipyard” environment.2
Collecting record
| Date | Work | Copy | Event | ETH | Transaction |
|---|---|---|---|---|---|
| The Doomed | 61/100 | Minted | ETH 0.05 | 0xfac6…75b9 | |
| Best-case Scenario | 13/25 | Minted | ETH 0.2 | 0x528b…01fd | |
| The Doomed | 61/100 | Transferred out | · | 0xcecd…acbc | |
| Best-case Scenario | 13/25 | Transferred out | · | 0x31b6…ae96 |
References
Interviews and first-person sources
Cited for this account: In his published artist statement, Greg Notzelman says he studied painting and printmaking at California College of Arts before working in photographic retouching, advertising, computer animation, and rendering.
CryptoArtNet, “Greg Notzelman,” artist statement, cryptoartnet.com/cryptoartists/nft-art/greg-notzelman (accessed 7 October 2026). ↩︎
Press and criticism
Cited for this account: Visual Effects Society records also list him among the nominees for the “Iron Man 3: Shipyard” environment.
Visual Effects Society, 12th annual VES Awards: the winners and nominees, PDF, vesglobal.org/wp-content/uploads/2014/04/fxguide-vesawards.pdf (accessed 7 October 2026). ↩︎