G4SP4RD
artdigital.eth
- Identity
- Pseudonym
- Links
- Wallets
- KnownOrigin
- 3 copies across 3 works, held May 2020 – April 2021
NFT Morning’s July 2025 interview introduced G4SP4RD as a collector in the French NFT scene and, at that time, a product manager at Ledger.1 The program says G4SP4RD had collected since 2020 and pursued an eclectic range spanning generative art, AI, and pixel art.1 The collector’s stated approach favoured accessible works, open editions, and longer series for their symbolic and community value, rather than treating scarcity as the sole criterion.1 NFT Morning’s subsequent annual review summarised this position as viewing a collection as a long-term journey rather than a reaction to market movements.2
On X in September 2024, G4SP4RD wryly suggested that one was not a serious NFT investor without “flexing a Xcopy, a Cryptopunk and a Winds of Yawanawa”, before adding that “being a good investor doesn't necessarily mean being a good collector.”3
Collecting record
| Date | Work | Copy | Event | ETH | Transaction |
|---|---|---|---|---|---|
| The Doomed | 53/100 | Received | · | 0x0396…759f | |
| The Doomed (red) | 10/10 | Minted | · | 0x02bc…3226 | |
| The Doomed (black & red) | 13/15 | Minted | ETH 0.666 | 0xace9…154e | |
| The Doomed (black & red) | 13/15 | Transferred out | · | 0x2613…b422 | |
| The Doomed (red) | 10/10 | Transferred out | · | 0x4ea0…a5ca | |
| The Doomed | 53/100 | Transferred out | · | 0x1a4f…8404 | |
| The Doomed (black & red) | 13/15 | Received | · | 0x3143…ec91 | |
| The Doomed | 53/100 | Received | · | 0xf062…9262 | |
| The Doomed (red) | 10/10 | Received | · | 0x4a50…685f | |
| The Doomed | 53/100 | Transferred out | · | 0xb13a…680c | |
| The Doomed (black & red) | 13/15 | Transferred out | · | 0xe7b0…51a4 | |
| The Doomed (red) | 10/10 | Transferred out | · | 0x4954…9bdc |
References
Interviews and first-person sources
Cited for this account: NFT Morning’s July 2025 interview introduced G4SP4RD as a collector in the French NFT scene and, at that time, a product manager at Ledger.
Rem et John, “#879 | Vers un NFT summer 2025 (ou pas...)? avec G4SP4RD,” NFT Morning, 24 July 2025, nftmorning.com/p/879-vers-un-nft-summer-2025-avec (accessed 7 October 2026). ↩︎
Cited for this account: On X in September 2024, G4SP4RD wryly suggested that one was not a serious NFT investor without “flexing a Xcopy, a Cryptopunk and a Winds of Yawanawa”, before adding that “being a good investor doesn't necessarily mean being a good collector.”
G4SP4RD, Post: Collecting and investing in digital art, X, 10 September 2024, x.com/G4SP4RD/status/1833483399857680673 (accessed 7 October 2026). ↩︎
Exhibitions, market and institutional records
Cited for this account: NFT Morning’s subsequent annual review summarised this position as viewing a collection as a long-term journey rather than a reaction to market movements.
Rem et John, “Newsletter NFT Morning: 2025, panorama du Web3 en 103 épisodes,” NFT Morning, 3 January 2026, nftmorning.com/p/newsletter-nft-morning-2025-panorama (accessed 7 October 2026). ↩︎