XCOPY / KO

BIBLIOGRAPHY

This bibliography consolidates sources used for historical context, marketplace data, interviews, collector records, and critical framing. It is organised by source type rather than by footnote sequence, so the book can keep the flow of an art publication while still leaving a clear audit trail. Blockchain and marketplace records are unstable as interfaces change; URLs should be understood as access points rather than permanent archival guarantees. Entries follow the Chicago Manual of Style and are alphabetised within each group. Every link was checked on 7 October 2026; access dates are given for undated online sources that could be reached, and moved pages point to their current or archived location.

Primary Sources & Archives

Async Art. “XCOPY.” Accessed 7 October 2026. https://async.art/artists/xcopy.

Async Art. “Locating and Re-pinning IPFS Assets.” Medium. https://medium.com/@AsyncArt/how-to-locate-and-repin-nft-content-ea09e4bd0eaf.

Async Art. “Using the Classic Art Editor.” Medium. https://medium.com/@AsyncArt/how-to-use-the-async-classic-art-editor-d-947d7776ae10.

Etherscan. SuperRare legacy contract. https://etherscan.io/address/0xb932a70a57673d89f4acfFBE830E8ed7f75Fb9e0.

Etherscan, IPFS, and related token gateways. Token records, ownership/provenance references, metadata, and image-file access points cited throughout the book.

GIPHY. “XCOPY.” https://giphy.com/XCOPY.

GIPHY. “Digital Objects collection.” https://giphy.com/stories/digital-objects-86638e88-0ed0.

KnownOrigin. XCOPY artist profile and KnownOrigin edition records. 2018–2021. https://knownorigin.io/xcopy.

KnownOrigin. Index on xcopy.art. xcopy.art. Accessed 7 October 2026. https://xcopy.art/platform/knownorigin.

MakersPlace. “XCOPY.” https://makersplace.com/xcopy/.

Maxand98. XCOPY: KnownOrigin Editions 2018–2021. 2026. https://xcopybook.com.

Nifty Gateway. Index on xcopy.art. xcopy.art. Accessed 7 October 2026. https://xcopy.art/platform/nifty-gateway.

Nifty Gateway. XCOPY storefront. https://www.niftygateway.com/xcopy/.

OpenSea. XCOPY collections and marketplace records. Accessed 7 October 2026. https://opensea.io.

OpenSea. “XCOPY × KnownOrigin editions.” Accessed 7 October 2026. https://opensea.io/collection/xcopy-knownorigin.

SuperRare. XCOPY artist profile and related 1/1 provenance records. 2018–present. https://superrare.com/xcopy.

XCOPY. Official website. Accessed 7 October 2026. https://xcopy.art.

XCOPY. Tumblr archive. 2010–2022. https://xcopy.tumblr.com/archive.

XCOPY. X (Twitter) profile. https://x.com/XCOPYART.

XCOPY. “CC0 announcement.” X thread. https://x.com/XCOPYART/status/1554101438997237761.

Interviews, Collector Writing & Community Sources

Artsy. “Nice Talk: XCOPY.” Accessed 7 October 2026. https://www.artsy.net/article/breezy-nice-talk-xcopy.

Breezy Art. “XCOPY’s Interview.” https://www.breezyart.io/xcopys-interview/.

Cent. “Xero Gallery opening interview.” Accessed 7 October 2026. https://beta.cent.co/Nissla/+dlg3n7.

Cozomo de’ Medici. “Interview with XCOPY.” X thread. https://x.com/CozomoMedici/status/1507098968055955464.

Curated Vault. OpenSea. Accessed 7 October 2026. https://opensea.io/CuratedVault.

Da Vinci. “The Rise of XCOPY.” DaVinci Letters, 2026. https://davinciletters.substack.com/p/the-rise-of-xcopy.

Davincithreads. “XCOPY 1/1s.” X thread. https://x.com/davincithreads/status/1654486432180781056.

Davincithreads. “The Lost XCOPYs.” X thread. https://x.com/davincithreads/status/1627116009998938114.

Davincithreads. “The Lost XCOPYs, part 2.” X thread. https://x.com/davincithreads/status/1627489667053502465.

Davincithreads. “Early collections.” X thread. https://x.com/davincithreads/status/1615149876169551872.

Davincithreads. “Earliest collections, part 2.” X thread. https://x.com/davincithreads/status/1640158935545004032.

Deca. “Right Click Share.” X thread. https://x.com/0xDecaArt/status/1531700397462630400.

GIPHY. “Artist Spotlight: XCOPY.” Tumblr, 12 March 2014. https://www.tumblr.com/giphy/79359082701/artist-spotlight-xcopy-what-gif-best-describes.

Hive Mind Capital. Digital Culture Fund. Deca. Accessed 7 October 2026. https://deca.art/hivemindcapital/digital%20culture%20fund.

Jediwolf. “Interview with XCOPY.” X thread, 24 August 2023. https://x.com/Jediwolf/status/1694355860775108971.

Jediwolf. “DOOM.” X thread. https://x.com/randomcdog/status/1625893780346884096.

jPeggy. “RARE Art Wrapper thread.” X thread. https://x.com/jPeggy295/status/1917936372624613557.

Maxand98.eth. “XCOPY Links.” Paragraph, 5 May 2023. https://maxand98.com/writing/xcopy-links/.

Mdiac. “EMPIRE THINGS.” X thread. https://x.com/Mdiac_/status/1901224907549167676.

Mdiac. “Grifters.” X thread. https://x.com/Mdiac_/status/1961479260255781304.

Mdiac. “The State of Us (Blue).” X thread. https://x.com/Mdiac_/status/1903216466133909749.

Mdiac. “Hello admin.” X thread. https://x.com/Mdiac_/status/1908503985046044893.

Mdiac. “A sea of motherfuckers on platform 24.” X thread. https://x.com/Mdiac_/status/1918394581734863021.

Mdiac. “REKT Guts.” X thread. https://x.com/Mdiac_/status/1951627911124947189.

Mdiac. “Disaster Suit.” X thread. https://x.com/Mdiac_/status/1910726890605736381.

Mdiac. “RESIST.” X thread. https://x.com/Mdiac_/status/1953802858966434275.

Mdiac. “LA WHENEVER.” X thread. https://x.com/Mdiac_/status/1891537519063290029.

Mdiac. “MESCO TETRO.” X thread. https://x.com/Mdiac_/status/1891838305618075713.

Mdiac. “AISLE 5 WORMHOLE.” X thread. https://x.com/Mdiac_/status/1892135164119048232.

Mdiac. “LUXURY MICROWAVE MASH.” X thread. https://x.com/Mdiac_/status/1892663444043661734.

Mdiac. “CLUTCHES.” X thread. https://x.com/Mdiac_/status/1892912822490628401.

Mdiac. “COPE SALADA.” X thread. https://x.com/Mdiac_/status/1983197955063722387.

Mdiac. “Astronaut (genesis character).” X thread. https://x.com/Mdiac_/status/2020580464587837864.

Noochie. “XCOPY — His History and His Mystery.” Substack newsletter, Noochie’s Notes. Accessed 7 October 2026. https://noochie.substack.com/p/xcopy-his-history-and-his-mystery.

Participating collectors. Collector records, community memory, exhibition documentation, and archival materials used in the preparation of this volume.

Pete D. “XCOPY moves.” Contravex, 31 October 2021. https://contravex.com/2021/10/31/xcopy-moves/.

Pete D. “Nature is healing.” Contravex, 19 June 2022. https://contravex.com/2022/06/19/nature-is-healing/.

Right Click Save. “An Interview with XCOPY.” Accessed 7 October 2026. https://www.rightclicksave.com/article/an-interview-with-xcopy.

Shortcut. “Art and Blockchain [Part 2]: @XCOPY Art and Ascribe.” Steemit, 2021. https://steemit.com/art/@shortcut/art-and-blockchain-part2-xcopy-art-and-ascribe.

SonofLasG. “What Remains.” Paragraph. Accessed 7 October 2026. https://paragraph.com/@sonoflasg/what-remains.

SuperRare x Bonhams. “CryptOGs 7 Questions with XCOPY.” SuperRare Editorial. https://editorial.superrare.com/2021/06/21/superrare-x-bonhams-presents-cryptogs-7-questions-with-xcopy/.

Tokenfox. “XCOPY's first on-chain work.” X thread. https://x.com/tokenfox1/status/1716084700043714644.

Tokenframe. “Happy Consume.” X thread. https://x.com/TokenframeNFT/status/1560416466570285057.

Essays, Articles & Online Media

6529. “A Tale of Two Artists.” Accessed 7 October 2026. https://6529.io/blog/a-tale-of-two-artists/.

a16z crypto. “Why NFT Creators Are Going cc0.” 11 December 2025. https://a16zcrypto.com/posts/article/cc0-nft-creative-commons-zero-license-rights/.

Andre. “The Lost XCOPIES.” Red Lion News, 10 August 2021. https://web.archive.org/web/20220118182819/https://www.redlion.news/article/the-lost-xcopies.

Art Basel. “Art Basel launches Zero10, a new global initiative for art of the digital era debuting at Art Basel Miami Beach 2025.” Accessed 8 October 2026. https://www.artbasel.com/stories/art-basel-launches-zero-10--a-new-initiative-for-art-of-the-digital-era.

Art Basel. “Strong sales and digital art buzz mark Art Basel Miami Beach opening.” 2025. https://www.artbasel.com/stories/art-basel-miami-beach-2025-sales-report-digital-art?lang=en.

Art Critic. “Pioneering Artist in the Blockchain Era.” https://www.artcritic.com/en/xcopy-pioneering-artist-in-the-blockchain-era/.

Art Innovation Gallery. “Digital Art Exhibition, Milan.” Accessed 7 October 2026. https://disiva.com/exhibitions/6-digital-art-exhibition-milan/press_release_text/.

Artnet. “The Artnet NFT 30 Report.” https://news.artnet.com/art-world/the-artnet-nft-30-report-part-one-2047800.

BBC News. “Selfie deaths: 259 people reported dead seeking the perfect picture.” 2 January 2026.

Blockchain Research Center. Blockchain Research Center - BRC. Accessed 7 October 2026. https://blockchain-research-center.com/.

Bonhams. “CryptOGs The Pioneers of NFT Art.” https://www.bonhams.com/auction/27285/bonhams-and-superrare-present-cryptogs-the-pioneers-of-nft-art/.

Carollo, E. “What Zero 10 Can Tell Us About the Art World’s Next Chapter.” Observer, 11 December 2025. https://observer.com/2025/12/web3-zero-10-art-basel-digital-art-market-future/.

Cohen, M. “From Our Collection: XCOPY’s “Cracked”.” Museum of Crypto Art, 7 June 2023. https://museumofcrypto.substack.com/p/from-our-collection-xcopys-cracked.

Curated. “Collecting XCOPY.” Accessed 7 October 2026. https://www.curated.xyz/editorial/collecting-xcopy.

Dreher, T. “NetArt: Links.” IASLonline. Accessed 7 October 2026. https://iasl.uni-muenchen.de/links/NALinke.html.

Euronews. “Beyond the Screen, HOFA Gallery.” https://www.euronews.com/culture/2023/05/05/beyond-the-screen-new-london-exhibition-highlights-digital-art-creations.

Ferenczi, A., and K. Vass. Art Blog. Kate Vass Galerie, 2025. https://www.katevassgalerie.com/blog.

Flip.xyz. “XCOPY A Painstaking Rise.”

Fortune. “XCOPY, NFTy 50.” Accessed 7 October 2026. https://fortune.com/ranking/nfty-50/2021/xcopy/.

Glitch Marfa. “Right-click and Save As guy.” Accessed 7 October 2026. https://www.glitchmarfa.com/e30dgallery/right-click-and-save-as-guy/.

Lum, Patrick, and Lucy Clark. “What is cryptoart, how much does it cost and can you hang it on your wall?” The Guardian, 2021. https://www.theguardian.com/culture/2021/mar/05/what-is-cryptoart-how-much-does-it-cost-and-can-you-hang-it-on-your-wall.

Koblesky, David. “The Art of XCOPY.” Tumblr post, The Art of Animated GIFs. Accessed 7 October 2026. https://the-art-of-animated-gifs.tumblr.com/post/659404791950295040/the-art-of-xcopy-for-anyone-not-in-the-nft-world.

Kunsthalle Zurich. “XCOPY in DYOR.” Accessed 7 October 2026. https://dyor.kunsthallezurich.ch/seeders/xcopy/.

Lugano NFT Week. “The Future is Unwritten.”

The Metaversalist. “Everything you need to know about XCOPY.” Newsletter (Beehiiv). Accessed 7 October 2026. https://themetaversalist.beehiiv.com/p/mr-fox-deep-dive-everything-you-need-to-know-about-xcopy.

MoCDA. “Right-click and Save As guy.” Accessed 7 October 2026. https://www.mocda.org/artworks/right-click-and-save-as-guy.

Nelson, Nate. “Where are your NFTs?” Right Click Save, 7 February 2022. https://www.rightclicksave.com/article/where-are-your-nfts.

NFT Culture. “The Definitive NFT Artist.” Accessed 7 October 2026. https://www.nftculture.com/nft-news/xcopy-the-definitive-nft-artist-shaping-digital-culture/.

NFT Now. “Exclusive: XCOPY Lifts the Veil on “Remnants” RarePass Project.” https://nftnow.com/features/exclusive-xcopy-lifts-the-veil-on-remnants-rarepass-project/.

NFT Now. “Exclusive: XCOPY Unpacks His “Cope Salada” Collection on Shape.” https://nftnow.com/features/exclusive-xcopy-unpacks-his-cope-salada-collection-on-shape/.

nft now. “Top Crypto Artists / OGs.” https://nftnow.com/art/top-crypto-artists-ogs/.

Nguyen Wahed. “Art Basel Miami Beach 2025.” Exhibition page, 2025. https://nguyenwahed.com/exhibitions/27-art-basel-miami-beach-2025-xcopy-kim-asendorf-and-joe-pease/overview/.

OnCurating. “DYOR Making Sense of the Crypto Art World.” Accessed 7 October 2026. https://www.on-curating.org/issues/issue-63/issue-63-reader/dyor-making-sense-of-the-crypto-art-world.html.

OO Kultur. “Francisco Carolinum acquires Max Pain.” X post. https://x.com/ooeculture/status/2069767116362772739.

OpenSea. “Who Is XCOPY? A Look at the NFT Artist Shaping the Glitch Art Movement.” Currents by OpenSea, 2024. https://opensea.io/blog/articles/xcopy.

Ostachowski, Martin Lukas. “What is Crypto Art? A Comprehensive Framework.” MLO.art. Accessed 8 October 2026. https://mlo.art/research/what-is-crypto-art/.

Peaster, W. M. “XCOPY, Cryptoart Legend.” Metaversal, Bankless, 2026. https://metaversal.banklesshq.com/p/xcopy-cryptoart-legend.

Quaroni, Ivan. “Crypto Series: The Future is Unwritten.” 5 July 2023. https://ivanquaroni.com/2023/07/05/crypto-series-the-future-is-unwritten/.

Ryan, Tina Rivers. “Token Gesture.” Artforum, May 2021. https://www.artforum.com/columns/token-gesture-249731/.

Sotheby’s. “Data_lords catalogue essay.” Accessed 7 October 2026. https://www.sothebys.com/en/buy/auction/2024/contemporary-discoveries-4/data_lords.

Sotheby’s. Glitch Beyond Binary catalogue. Digital catalogue. Accessed 7 October 2026. https://www.sothebys.com/en/digital-catalogues/glitch-beyond-binary.

Sotheby's. “Loading New Conflict Redux 6.” Auction lot page. Accessed 7 October 2026. https://www.sothebys.com/en/buy/auction/2023/glitch-beyond-binary/loading-new-conflict-redux-6-by-xcopy-2018.

SuperRare. “SuperRare x The Doomed DAO: Tech Won’t Save Us.” Exhibition event page, 10 December 2025. https://superrare.itm.studio/m/superrare-x-the-doomed-dao-tech-won-t-save-us.

Sustainability Directory. “Blockchain Art Criticism.” 2024.

Union Pacific. “Selfie Tragedy Forever Impacts Those Left Behind.” 8 December 2016. https://www.up.com/news/safety/selfie-tragedy-12-7-2016.

Validvent. “XCOPY – Death And JPGS.” 2025.

Wallace, David Foster. “Federer as Religious Experience.” The New York Times, 20 August 2006. https://www.nytimes.com/2006/08/20/sports/playmagazine/20federer.html.

Wikipedia. “XCOPY (artist).” Accessed 7 October 2026. https://en.wikipedia.org/wiki/XCOPY_(artist).

Academic, Books & Research Literature

Ahmadi, G., and Z. Rahbarnia. “CryptoArt; A Fusion Between Art and Blockchain Technology.” Bagh-e Nazar 20, no. 122 (2023): 59–72. https://doi.org/10.22034/BAGH.2023.242403.5240.

Asalde-Smith, M. FUTURE PROOF. Master’s thesis, California State University, San Bernardino, 2022. https://scholarworks.lib.csusb.edu/etd/1515.

Bar-Gil, Oshri. “The transformation of artistic creation: from Benjamin’s reproduction to AI generation.” AI & Society 40, no. 8 (2025): 6439–6453. https://doi.org/10.1007/s00146-025-02432-5.

Behzadi, E. T. “The Fiction of NFTs and Copyright Infringement.” faculty scholarship, CWSL Scholarly Commons, California Western School of Law, 2022. https://scholarlycommons.law.cwsl.edu/fs/401/.

Bourron, C. “Comprehensive Analysis of the Trade of NFTs at Major Auction Houses: Phase 1 (March 2021–September 2021).” Arts 12, no. 6 (2023): 212. https://doi.org/10.3390/arts12060212.

Braden, L. E. A., and Thomas Teekens. “Reputation, Status Networks, and the Art Market.” Arts 8, no. 3 (2019): 81. https://doi.org/10.3390/arts8030081.

Calvo, P. “Cryptoart: ethical challenges of the NFT revolution.” Humanities and Social Sciences Communications 11, no. 1 (2024). https://doi.org/10.1057/s41599-024-02832-7.

Catlow, R., M. Garrett, S. Skinner, and N. Jones, eds. Artists Re:Thinking the Blockchain. Torque Editions, 2017.

Chun, Daniel. “When the NFT Hype Settles, What Is Left beyond Profile Pictures? A Critical Review on the Impact of Blockchain Technologies in the Art Market.” Arts 12, no. 5 (2023): 181. https://doi.org/10.3390/arts12050181.

Duke, B. “The Shape of International Art Purchasing—The Shape of Things to Come.” Arts 12, no. 5 (2023): 208. https://doi.org/10.3390/arts12050208.

Ekinci, Z. “Non-Fungible Tokens and Select Art Law Considerations.” Arts 12, no. 5 (2023): 192. https://www.mdpi.com/2076-0752/12/5/192.

Forcier, Kaitlin. “Can Art Save Crypto? Domenico Quaranta’s Surfing with Satoshi: Art, Blockchain and NFTs.” Media-N 19, no. 1 (2023). https://doi.org/10.21900/j.median.v19i1.1113.

Franceschet, M., G. Colavizza, T. Smith, B. Finucane, M. L. Ostachowski, S. Scalet, J. Perkins, J. Morgan, and S. Hernández. “Crypto Art: A Decentralized View.” Leonardo 54, no. 4 (2021): 402–405. https://doi.org/10.1162/leon_a_02003.

Fuchsgruber, L. “Museum Photo Archives and the History of the Art Market: A Digital Approach.” Arts 8, no. 3 (2019): 93. https://doi.org/10.3390/arts8030093.

Genç, Mehmet Sabri. “CryptoArt (NFTs) and a Post-Truth World.” ArtTime 8 (2025): 36–42. https://doi.org/10.62425/at.1628246.

Giannoni, C., F. Medda, and S. Bartolucci. “Blockchain Technologies and Art: Opportunities and Open Challenges.” SSRN Electronic Journal, 2023. https://doi.org/10.2139/ssrn.4439318.

Kalbermatten, S. “The ‘Assetization’ of Art on an Institutional Level—Fractional Ownership Implemented in the Royal Museum of Fine Arts Antwerp (KMSKA).” Arts 13 (2024): 16.

Kang, H.-J., and S.-G. Lee. “Market Phases and Price Discovery in NFTs: A Deep Learning Approach to Digital Asset Valuation.” Journal of Theoretical and Applied Electronic Commerce Research 20, no. 2 (2025): 64. https://doi.org/10.3390/jtaer20020064.

Kotha, Tejas, Kari Koskinen, and Kushagra Bhatnagar. “Re/doing visibility labour in NFT art markets.” ECIS 2025 Proceedings, Association for Information Systems, 2025. https://aisel.aisnet.org/cgi/viewcontent.cgi?article=1205&context=ecis2025.

Lewicka, B. “The CryptoArt World in 2020–2021: The Reproduction of the Known.” Qualitative Sociology Review.

Li, W. “Innovative Exuberance: Fluctuations in the Painting Production in the 17th-Century Netherlands.” Arts 8, no. 3 (2019): 72.

Mahardhika, Jimmy. “Cathedral Without Apostles The Failure of Value Transubstantiation in NFTs and The Crisis of Apostolic Succession in the Digital Art Economy.” preprint, Preprints.org, 22 December 2025. https://doi.org/10.20944/preprints202512.1860.v1.

Makridis, C. A., and J. D. Ammons. “Governing the large language model commons: using digital assets to endow intellectual property rights.” Journal of Institutional Economics 21 (2025): e19. https://doi.org/10.1017/S1744137425000165.

Mwesigwa, T. An investigation of the impact of NFTs on the Modern Art Market. Master’s thesis, University of Cape Town, 2023. https://hdl.handle.net/11427/39702.

Nijboer, H., J. Brouwer, and M. J. Bok. “The Painting Industries of Antwerp and Amsterdam, 1500–1700: A Data Perspective.” Arts 8, no. 3 (2019): 77.

Petrova, I., U. Maraieva, L. Dobrunova, H. Mylenka, and L. Rakityanska. “Digital Art as a Tool for Social Influence in the Modern Media Space and Metaverse.” Metaverse Basic and Applied Research 4 (2025): 116. https://mr.ageditor.ar/index.php/mr/article/view/116.

Nieto McAvoy, Eva, and Jenny Kidd. “Cryptoart and questions of value: a review of emergent issues.” Discussion Paper 2022/13, AHRC Policy and Evidence Centre, 2022. https://pec.ac.uk/discussion_paper_/crypto-art-and-questions-of-value/.

Ponder, N. “Integrating NFTs into Feminist Art Practices: Actualizing the Disruptive Potential of Decentralized Technology.” Arts 13 (2024): 124. https://doi.org/10.3390/arts13040124.

Quaranta, D. Surfing with Satoshi: Art, Blockchain and NFTs. ISBN 978-961-7173-12-3, Aksioma – Institute for Contemporary Art, Ljubljana, 2022.

Rasterhoff, C., and S. van Ginhoven, eds. “Art Markets and Digital Histories.” special issue, Arts 8, no. 3 (2019): 105.

Saint-Raymond, Léa. “Revisiting Harrison and Cynthia White’s Academic vs. Dealer-Critic System.” Arts 8, no. 3 (2019): 96. https://doi.org/10.3390/arts8030096.

Shaikh, M., U. K. Wiil, A. Ebrahimi, and Y. Memon. “An Overview and Comparison of Blockchain Consensus Mechanisms.” International Journal of Networked and Distributed Computing 14, no. 1 (2025). https://doi.org/10.1007/s44227-025-00087-8.

Sidorova, E. “The Cyber Turn of the Contemporary Art Market.” Arts 8, no. 3 (2019): 84. https://doi.org/10.3390/arts8030084.

Sidorova, E., ed. NFTs, Blockchain, Cryptocurrency, Metaverse: The Web3 Revolution That Has Transformed the Art Market. MDPI, 2025. https://doi.org/10.3390/books978-3-7258-3328-3.

Tian, Z. “Post-Merge Carbon Footprint Analysis and Sustainability in the NFT Art Market.” 12, no. 5: 211, Arts, 2023. https://doi.org/10.3390/arts12050211.

Van Miegroet, H. J., K. P. Alexander, and F. Leunissen. “Imperfect Data, Art Markets and Internet Research.” 8, no. 3: 76, Arts, 2019. https://doi.org/10.3390/arts8030076.

Li, Ruiqiang, Brian Yecies, Qin Wang, Shiping Chen, and Jun Shen. “Empowering Visual Artists with Tokenized Digital Assets with NFTs.” preprint, version 2, arXiv, 20 September 2024. https://arxiv.org/abs/2409.11790.

Whitaker, A. “The Rise of Hybrid Practice: Creative Institutional Design as Arts Entrepreneurship.” 11, no. 3, Artivate: A Journal of Entrepreneurship in the Arts, 2023. https://doi.org/10.34053/artivate.11.3.192.

Blockchain, Marketplace & Data Sources

Artnet. “Open Editions and MAX PAIN.” https://news.artnet.com/market/open-editions-nft-2261349.

Artnet. “Most Expensive NFT Art of the Year.” https://news.artnet.com/market/most-expensive-nft-art-yearend-2052822.

ArtNews. “Last Selfie Sells for a Record 3.27M.” Accessed 7 October 2026. https://www.artnews.com/art-news/news/anonymous-artist-xcopys-digital-work-last-selfie-sells-for-record-breaking-3-27-m-to-private-collector-1234756260/.

Catherine. XCOPY dashboard. Dune Analytics. Accessed 7 October 2026. https://dune.com/cat2130/xcopy.

Crypto Briefing. “Early XCOPY NFT Sells for ~6M.” https://cryptobriefing.com/early-xcopy-nft-sells-for-6m-in-ethereum/.

CryptoArt.io. XCOPY Sales. Accessed 7 October 2026. https://cryptoart.io/artist/xcopy.

DappRadar. “MAX PAIN Open-Edition Sale.” https://www.dappradar.com/blog/xcopy-sold-23-million-through-nifty-gateway-in-10-minutes.

Deca. “The Doomed (Archived List, Dec 2022).” 2022. https://web.archive.org/web/20221210094011/https://deca.art/do.

Decrypt. “23M in Ethereum NFTs in 10 Minutes.” Accessed 7 October 2026. https://decrypt.co/96009/crypto-artist-xcopy-23m-ethereum-nfts-10-minutes.

Etherscan. Ethereum token and contract records used for provenance and ownership checks.

Etherscan. Membership Contract Holders. https://etherscan.io/token/0x264fbf5634bdda8229c5aa84d8360697a27d7fcd#balances.

HENI News. XCOPY Profile and Tagged Stories. Accessed 7 October 2026. https://heni.com/news?artist=XCOPY.

HENI News. “Data_lords Leads Sotheby’s Contemporary Discoveries.” Accessed 7 October 2026. https://heni.com/news/article/xcopy-leads-sotheby-s-online-7-8m-contemporary-discoveries-auction-in-none-2024.

HENI News. “Huge XCOPY Sale / Market Update.” Accessed 7 October 2026. https://heni.com/news/article/nft-update-huge-xcopy-sale-arbitrum-airdrop-plus-market-data.

HENI News. “Digital Art Day Auction (DOOM Party).” Accessed 7 October 2026. https://heni.com/news/article/sotheby-s-online-digital-art-day-auction-2024-11-07t14-00-00-05.

IPFS gateways and token metadata endpoints. Image-file and metadata access points cited or consulted in relation to edition records.

KnownOrigin. Edition pages, sale records, edition sizes, primary sale status, and metadata for XCOPY’s KnownOrigin editions. 2018–2021.

nft now. “Most Expensive NFT Sales.” https://nftnow.com/features/most-expensive-nft-sales/.

NFT Price Floor. “Grifters by XCOPY.” Accessed 7 October 2026. https://nftpricefloor.com/grifters-by-xcopy.

Nifty Gateway. MAX PAIN Collection / Contract. Accessed 7 October 2026. https://www.niftygateway.com/marketplace/collection/0xd1169e5349d1cb9941f3dcba135c8a4b9eacfdde/1/.

OBJKT. “REACHBACK on hic et nunc.” Accessed 7 October 2026. https://objkt.com/tokens/hicetnunc/25745.

OpenSea. “Grifters by XCOPY.” Accessed 7 October 2026. https://opensea.io/collection/grifters-by-xcopy.

OpenSea. “Tech Won’t Save Us Membership Collection.” Accessed 7 October 2026. https://opensea.io/collection/techwontsaveus.

OpenSea, SuperRare, and related marketplace interfaces. Secondary-market records, collection pages, and public collector/ownership views used as access points rather than permanent archival records.

Redlion. Catalogue of Works (Spreadsheet). Accessed 7 October 2026. https://docs.google.com/spreadsheets/d/1QuIsOu6f7lsBrDiRIMi6Iv6oEO4E6Fen/edit#gid=234279464.

Sotheby’s. Lot Details (API Entry). Accessed 7 October 2026. https://www.sothebys.com/bsp-api/lot/details?itemId=39634461-0f7a-4328-b1f6-91de689f29eb.

SuperRare. “Click and Save As Guy (Lot).” Accessed 7 October 2026. https://superrare.com/artwork/eth/0x41a322b28d0ff354040e2cbc676f0320d8c8850d/click-and-save-as-guy-1154.

IMAGE CREDITS

DISCLAIMER // This book documents XCOPY’s KnownOrigin editions and related historical material for purposes of criticism, commentary, scholarship, preservation, and community documentation. The original artworks reproduced or referenced are by XCOPY unless otherwise indicated. Maxand98’s CC0 dedication applies to the original text and compilation created for this volume; it does not waive or transfer any third-party copyright, licence, trademark, publicity, database, platform, or contractual rights that may subsist in artworks, screenshots, marketplace records, article images, exhibition documentation, logos, or other archival material reproduced or referenced here.

Every effort has been made to credit artists, collaborators, collectors, platforms, photographers, archives, and other rights holders accurately. Some source material circulates pseudonymously, on-chain, through defunct platforms, or across historical web archives, and attribution may therefore be incomplete. If you are a rights holder or can correct an attribution, please contact Maxand98 so the credit can be amended in future editions. No challenge to ownership or authorship is intended by inclusion of any image or reference material.

ARTIST CREDITS // XCOPY // The Doomed (Tech Wont Save Us); Disintegration (Back Into the Void); Last Selfie (Was It Worth It?); Taxmen (Taxmen Cometh); Echoes of a Dead Earth (Blue); $LAVE (The Things You Own End Up Owning You - Tyler Durden) (Red Variation); The State of Us (Blue) (You Are What You Eat) (Blue Variation); h-u-m-a-n; -WANTED-; Hello Admin DM Me; Gobshites; The Deadness; No Favour (cold); Best-Case Scenario; The Damage; Resist; Blood Bubble; Exposure; Terror; Eye-Rolla; The Doomed (Red); The Doomed (Black & Green); The Doomed (Black and Red); Do Nothing (New Variant); No Future; Bangers and Crash. // XCOPY vs Mattia Cuttini // Sixteen Segment Death. // XCOPY x WizardX // Fly Juice.

PLATFORM, ARCHIVE & REFERENCE CREDITS // KnownOrigin // primary marketplace, edition records, provenance, metadata, and original KnownOrigin edition context. // SuperRare // related XCOPY 1/1 context, marketplace history, provenance, and exhibition references where cited. // Tumblr / XCOPY archive // early GIFs, process history, motif development, and historical web context where cited. // X / Twitter // public posts, interviews, collector commentary, screenshots, and community documentation where cited. // OpenSea, Etherscan, IPFS, and related blockchain explorers or token gateways // token records, ownership/provenance references, metadata, and image-file access where cited. // Participating collectors // collector records, community memory, exhibition documentation, and archival materials used in the preparation of this volume. // monopo and associated design collaborators // book design, layout, and visual treatment where applicable.

SONOFLASG ESSAY PHOTOGRAPHS // Images accompanying “XCOPY and the Absence of Consolation”; selected and captions supplied by SonOfLasG. U.S. Census Bureau; National Archives and Records Administration / AP. Photographer not identified in the published source. Source: https://www.csmonitor.com/USA/Latest-News-Wires/2012/0402/1940-census-records-have-over-20-million-still-alive-today. // Photograph by Achilver, 1 December 1981. Wikimedia Commons; released into the public domain by the photographer. Source: https://commons.wikimedia.org/wiki/File:World_Money_Centre.jpg. // Marion S. Trikosko, 27 January 1959. Library of Congress, U.S. News & World Report Magazine Photograph Collection, LC-DIG-ds-04925. No known restrictions on publication. Source: https://www.loc.gov/pictures/item/2013651433/.

IMAGE USE NOTES // Captions, surrounding text, bibliography entries, and on-page source notes form part of the credit record. Images reproduced from public articles, press material, social posts, marketplace pages, exhibitions, or archival screenshots are treated as third-party reference material unless a separate licence or permission is expressly stated.